Nope Oh and Eddie, you got the accent for it right... if you've seen it too I feel for you, I really do!!
Another day another avatar Eddie. What's this one in reference to? And the last one come to think of it. btw Hex, the hard one isn't Memento is it?
ive got no chance at this cos i as soon as a start thinking of 'bob' in films/tv i keep on thinking of blackadder and my tiny mind can go no further
OK, I guess you can have a clue now. It got to the Sundance Film Festival in 1997... it was the Director's first film.... and it's pretty awful!
Sundance 1997: Films In Competition Documentary Competition: AN ACT OF CONSCIENCE, by Robbie Leppzer FAMILY NAME, by Macky Alston FEAR AND LEARNING AT HOOVER ELEMENTARY, by Laura Angelica Simon THE FIGHT IN THE FIELDS, by Rick Tejeda-Flores and Ray Telles A HEALTHY BABY GIRL, by Judith Helfand HIDE AND SEEK, by Su Friedrich JOHN HENRIK CLARKE: A GREAT AND MIGHTY WALK, by St. Claire Bourne LICENSED TO KILL, by Arthur Dong THE LONG WAY HOME, by Mark J. Harris MADONNA MIA, by Jane Wagner and Tina DiFeliciatonio MY AMERICA (OR HONK IF YOU LOVE BUDDHA), by Renee Tajima NEW SCHOOL ORDER, by Gini Reticker PAUL MONETTE: THE BRINK OF SUMMER'S END, by Lesli Klainberg POVERTY OUTLAW, by Pamela Yates and Peter Kinoy RIDING THE RAILS, by Lexy Lovell and Michael Uys (official site) SICK: THE LIFE AND DEATH OF BOB FLANAGAN, SUPERMASOCHIST, by Kirby Dick. Dramatic Competition: ALL OVER ME, by Alex Sichel, Fine Line ARRESTING GENA, by Hannah Weyer BLACK AND WHITE AND RED ALL OVER, by DeMane Davis, Harry McCoy, and Khari Streeter THE CLOCKWATCHERS, by Jill Sprecher COLIN FITZ, by Robert Belia THE DELTA, by Ira Sachs EYE OF GOD, by Tim Blake Nelson GEORGE B., by Eric Lea GOING ALL THE WAY, by Mark Pellington, Lakeshore Entertainment HOUSE OF YES, by Mark Waters HURRICANE, by Morgan J. Freeman IN THE COMPANY OF MEN, by Neil LaBute LOVE JONES, by Theodore Whitcher, New Line Cinema THE MYTH OF FINGERPRINTS, by Bart Freundlich SANTA FE, by Andrew Shea SLAVES TO THE UNDERGROUND, by Kristine Peterson STRAYS, by Vin Diesel SUNDAY, by Jonathan Nossiter. one of these?
One of the best sequels ever imo (especially if it's the Director's Cut) Aliens! "On a long enough timeline, the survival rate for everyone drops to zero."
Quack: Fight Club Here's a relatively easy one (in my opinion anyhow): 'Do you know that "if" is the middle word in life?'
Now I know why I couldn't think of the movie... I couldn't watch the whole thing... probably just long enough to have that line stick in my mind and then spent the rest of my time trying to forget everything I saw
at a random guess from leeks and boyo im stumping for twin town cos its the only welsh film i know (unless human traffic counts)
Hehehe... yeah, truly terrible film, that line's the only good thing about it. Or maybe the fact that smoking kills, but that was right at the end so you wouldn't have seen it. OK, another hard one for y'all: Clue: It's near enough the opening line. N.B. Bear in mind people, I like my trash flix. I own most things that are "so bad they're good". Unfortunately it sometimes means I end up with things so bad they suck (i.e. Killers).